Feng Gan——Professor and Doctoral Supervisor of the Department of Art Theory
Biography
Feng Gan, professor and doctoral supervisor of the School of Art, Southeast University.
Administrative Post: Deputy Director of Social Sciences Division
Education
D.Phil. (School of Literature, School of Journalism and Communication, Shandong University), September 2005-June 2008.
Major: Study of Art and Literature
Guest Assistant Professor at Brown University (the USA), January 2011 - January 2013.
Visiting Scholar, Stanford University (the USA), January 2015 - July 2015.
Research Interests
Artistic Theory, Art Communication, Film and Television Art
Research Achievements
Took charge of 6 projects of the National Social Science Fund and the Humanities and Social Science Fund of the Ministry of Education.
Published one monograph, one translation, and over 50 papers.
Obtaining 2 national patents.
Representative Achievements
1)Principal Investigator, “The Study of Lowenthal's Literary Communication Theory.” (Established in 2009, Approval No. 09CW001). National Social Science Fund project for Youth Scholars.
2)Principal Investigator, “Multidimensional Perspective of Contemporary Western Literature and Art Communication Theory.” (Established in 2014, Approval No. 14BW005). National Social Science Fund general project.
3)Monograph: Study of Lowenthar's Theory of Literary Communication. Southeast University Press, 2014.
4)Translation: Literature, Popular Culture and Society.China Renmin University Press, 2012.
5)Papers:
“The Subject Ontology, Nature and Methodology of Art Discipline Construction.Social Sciences in Yunnan. No. 5, 2010.
“On the Dissolution of Traditional Aesthetic Styles by Visual Culture.” Journal of Northwest Normal University. No. 5, 2007.
“‘Another Face’of Critical School and ‘The Third Possibility’ of Communication Studies.” Modern Communication. No. 12, 2015.
“Ethnic Arts:A Poetic Practice of Constructing the Third Space of Urban Culture.” Ethnic Arts Quarterly. No. 6, 2015.
“On the Transfer of Artistic Language Concepts from the Perspective of Philosophy.” Social Sciences in Yunnan. No. 5, 2009.
“The Covering and Unfolding of Film Art by 3D Technology. Literature and Art Forum. No. 9, 2010.